viola sunrise

In late 2006 early 2007 I had a chunk of Australia Council funding to research and develop a new performance installation called Crevice. The project was with Cormac Lally (video), David Corbet (sound), Shannon Bott (dramaturgy) and Kristin Green (architect). It was ambitious for sure, and I was never able to get the money together to do any more development beyond stage 1 (or perhaps I never tried).

The design looked like this (and we built and tested this design):

And here’s a little snippet of video (that I don’t think was ever used) that Cormac Lally shot and edited, and that I stumbled across the other day as I went through some old files. The filename was crevice16_viola

full responsibility

Last year I had the pleasure of spending time at the University of Alabama for a short residency with choreographer and filmmaker Rebecca Salzer. We made a short film called Full Responsibility:

Sincerity takes practice.


Tara Brach is a psychotherapist and meditation teacher based in Washington DC. I was listening to a podcast episode of hers last night called The Sacred Art of Listening. In it she quoted Mark Nepo’s understanding of the nature of listening:

To lean in softly with a willingness to be changed by what we hear.

That willingness to be changed bit is remarkably beautiful and, speaking personally,(!) probably quite rare. I wonder what it would be like to work in an environment in which willingness to change was valorised at the expense of staking claims, protecting territory, and competitive ambition.